注意:
★ あなたはアイコン、バナー、ジャーナルレイアウトなどにここでどんなアートワークも使 用できます。
★ あなたがここで見つけるどんなスケッチや線画も着色できます。線画のために私を承認し てください。
★ あなたは商業方法で私のイメージのいずれも使用してはいけません。
★ 私のアートワークを使用するなら、
panaか
panaesthesiaを承認してください。
★ you may use any artwork here for icons, banners, journal layouts, etc. no permission necessary.
★ you may color any sketches or lineart you find here, but please credit me for the lineart.
★ you may not use any of my images in a commercial fashion or sell prints of anything you color.
★ if you use my artwork, please credit
pana or
panaesthesia.
★ あなたがここで見つけるどんなスケッチや線画も着色できます。線画のために私を承認し
★ あなたは商業方法で私のイメージのいずれも使用してはいけません。
★ 私のアートワークを使用するなら、
★ you may use any artwork here for icons, banners, journal layouts, etc. no permission necessary.
★ you may color any sketches or lineart you find here, but please credit me for the lineart.
★ you may not use any of my images in a commercial fashion or sell prints of anything you color.
★ if you use my artwork, please credit

Happy fucking birthday,

I don't normally scan stuff from my tiny 5x5 sketchbook that I carry around in my purse because... well as you can see, tiny drawings are crappy drawings. But hey, it's a sketchblog. I gotta let loose sometime.
Uh, another from the

Say say my playmate
Won't you lay your hands on me
Mirror my malady
Transfer my tragedy
Got a curse I cannot lift
Shines when the sunset shifts
When the moon is round and full
Gotta bust that box gotta gut that fool
My mind's aflame
We could jet in a stolen car
But I bet we wouldn't get too far
Before the transformation takes
And blood lust tanks and crave gets slaked

Oh my god, why can't I draw cute things more often.
Shikamaru and Yosuke are best friends at

From All He Ever Wanted:
The smoke and mustard gas clear around a picture. The background is the sky and the sea, with the shadows of planes and gulls darting across. A trail of old stone leads down and then up and then down again, which means it’s down, always down, through the old earthen ruins of something more than stone and less than sand. Everything’s red and grey and gold, gold where the plants are dead. There’s a crater where the grenade ricocheted to, where parts of the walls came down. There aren’t any soldiers here, not anymore, just. Just Italy and Greece. And it turns out that three of the new bullet holes are in Greece’s chest and belly, and the fourth is in his thigh. He’s still holding the gun and the pin from the grenade, a smear of silver in the blood that’s haloing him like in the really old art before perspective and composition, where people who are more important than everyone else are just painted larger and brighter. The blood dapples Greece’s skin like all his moles and scars and curls and beautiful things, and his eyes are open. And then Italy blinks back tears and the body itself is gone, leaving only the blood.

Oh my poor little neglected sketchblog. One of my New Year's resolutions is to update you once a week. How's that?
God this Hetalia obsession just keeps getting worse. How can anyone resist these adorable nation-tans? I'm such a girl. Well, anyway, a quick sketch of Greece stripping as usual. Aaaand I have nothing interesting to say.

Axis Powers Hetalia is a recent obsession of mine and of course I absolutely love the character of Greece. He is adorable and like the awful person I am I just felt the need to do horrible things to him. Listening to Συννεφιασμένη Κυριακή and thinking about Turkey and violence just brought this out.
The comic itself is a lighthearted comedy. I can never leave things alone.
I'm not sure if this is entirely finished or not, I was just playing around with my tablet. I should get some sleep though.

Working off some stress by drawing one of my favorites. It kind of pissed me off that I hadn't drawn any real nice pictures of Madara. I mean, I love his design almost as much as I love him. That Valley of the End armor? It's fucking badass. Also he fights with a fan (and a scythe, and fire, and sharingan, and a gigantic fox made of evil chakra).
And he does it all while looking adorable.













